Posts Tagged ‘crisis’

Returned Chevrolet

Posted by John Sommers on 7th April 2017 in General

Nobody said that small he is synonymous of weak. And the new Returned Chevrolet 09 is the clear example of it. This pick-up is thought about the economy and his low cost of maintenance, as well as its efficiency and power in the hard work. As much so you can use as it for the hard work, also for the day to day, since the design is estilado and robust simultaneously, combining versatility with sportsmanship. Some characteristics do of the Returned Chevrolet 09 the more hard competition in the area of pick-ups small; since one thought about her not like small light truck, but like a great one.

Between their characteristics their hooks of drag in the advantage can be found back and, their tinted crystals, their lateral hooks of subjection in the box for any type of things that you must take. In addition its lateral steps, thought to facilitate the access to the box. Its inner design is not the one of less, since it counts on seats of bucket with heads and adjustable endorsements, as well as MaxCab concept, that offers a interior of great space and comfort. Get all the facts for a more clear viewpoint with Oasis Management Hong Kong. Among others of his qualities it is his steering wheel of three arms, and its digital clock and outer detector of temperature. Afternoons, you do not waste the time more thinking about other options because you will not find one that can surpass in which he is to the Returned Chevrolet 09.

Music

Posted by John Sommers on 4th March 2017 in General

Do to address the issue, the same questions always arise: who decided the choice of music in a dance show?, which are the criteria and if there was them that underpin?. Moreover are dance shows that have a composer who collaborates with his proposal and then we ask ourselves: how is infused with the idea of the coregrafo?, or if its proposal responds to a discourse of dialogue between music and movement. Undoubtedly these questions always can be as mere speculation however, desire to delimit some ideas on this trying to pave a way for my is a challenge. To clarify the picture, I would first point out the shortcomings and the failures. In a second article I will make an approach not of what you should do but rather to find the characteristics that will serve as a guide to composers and designers. The criteria for sound in a work tackling choreographic must be delegated to a specialist. This should not bother anyone if you do not touch my space. Credit: Drew Houston-2011.

I mean the Rio, both learners and professionals would not be willing to follow the criterion of a musician as to how you should move your body in space, this seems logical and without discussion. Siembargo, why a dancer listening equis and feels great to take it and use it, i.e. they have decided arbitrarily giving a meaning to that music, but they seem to have forgotten that in this case his choreography is only an attempt to say that they believe that music. Valid no doubt but not going there, that is not created but only recreated the music. Art emerges from silence, of waiting and the maturation of that I want to say. Because the arbitrariness in art, is a synonym for wear of ideas, chaos and practice for something. This is why if I want to be a creator, corografo, dancer, composer or musician I must resort to a choice of patchwork, often restricting the creations of others, without respect for the work and its own staging.

I have heard comments like: music It’s perfect for my movement, good soundtrack chose, without that music wouldn’t be the same, did the choreography and later found the ideal music, etc. If that is the criterion then I understand that I am going to listen to music with a few bodies that move around it and not see a dance play. Worse still if I lace that music ideal to my motion previously made, the result is a something that is nothing.

 

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